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Sofortwissen kompakt German Edition Pocket Guide. Frescobaldi, Poesie ; G. Gherardi, Poesie ; G. Martini, Poesie ; G. Pegolotti, Poesie ; G. Roselli, Poesie ; I. Donati, Poesie ; I. Bruni, Poesie ; L.

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Serdini, Rime ; B. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. The flowers of Italian literature: language, imitation and gender debates in Paolo Giovio's Dialogus de viris et foeminis aetate nostra florentibus Jessica Goethals. The flowers of Italian literature: language, imitation and gender debates in Paolo Giovio's Dialogus de viris et foeminis aetate nostra florentibus.

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Renaissance Renaissance Studies Studies Vol. The rampageous Spanish and German soldiers of Emperor Charles V still held the pontiff and his city captive — capturing, torturing, and often killing its residents at will, including illustrious writers, thinkers, and artists. Ischia in contrast represented an island haven governed by aristocratic women that provided visiting men tem- porary respite from the storm of war.

Set against the Sack and anxiety over Italian decline, the text draws together a vast catalogue of contemporary figures in order to evaluate men of arms Book One , men of letters Book Two , and women of high culture Book Three. Book Two has enjoyed praise by no less a critic than Carlo Dionisotti as a fundamental work within Renaissance literary historiography despite missing its introductory and concluding pages.

https://fiphilalettcer.tk Though one cannot say with certainty what the missing introduction and conclusion might have included, the text as is does not contain any notable tribute to Colonna or her circle beyond a brief, rather uncomplimentary mention of Pompeo Colonna. Franco Minonzio, 2 vols. All citations are from the latter.

The current article traces the question of literary enterprise in Notable Men and Women in our Time by exploring the manner in which Giovio responsively weds three controversies of the day: the issue of female authorship and readership, the questione della lingua, and the debates on imitation. Though he criticizes female audiences, he endeavours to resolve his ideological knot in Book Three by, first, praising the aristocratic women who study classical and neo-Latin litera- ture and, second, by endowing Vittoria Colonna herself with the positive qualities he associates with Latin. By casting her as an ideal reader and writer, he distances her from the general class of women and from his censure of the vernacular.

She embodies the ideal of Latin — in its proper relationship to ancient models, in its exhaustive educational background, in its masculinized vitality — even as she wields the vernacular pen. Grant Cambridge, MA. Is Italy fading, or are there areas in which she flowers still? In over two dozen passages throughout the dialogue containing explicit references to such blossoming, the interlocutors measure the cultural — and, in the case of women, literal — fecundity of the Italian peninsula.

My thanks to Kate Bentz for her suggestions in thinking about gardens. In this book the interlocutors consider not only those worthy of esteem but also those whose prosperity is perhaps unmerited. Giovio ties such ill-gotten gains to an improper, weedy relationship with language, audience, and emulative practices. He concedes, noting the need to treat both Latinists and their vernacular counterparts.


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  • The conversation evolves into an overview of literary figures as well as a debate on the questione della lingua, with Giovio taking a decided though not militant pro-Latin stance and Muscettola setting out — but not precisely advocating — the vernacular position. Zimmermann, Paolo Giovio, It is little wonder, then, that the fresh humiliation of Rome in prompted some to vocally protest the burgeon- ing use of the vernacular using similar terms. A prime and influential example can be found in a pair of Latin orations delivered by Romolo Amaseo at the coronation of Charles V in Bologna.

    For he can unashamedly borrow very pleasant passages from more polished philosophers, imitate the brilliant turns of phrase, witticisms, and sub- tleties of the poets, and pluck for pleasure and at will the flowers he sees anywhere in the entirety of the Latin language. Tomo 1, ed. Mario Pozzi Milan: Ricciardi, Zimmermann hypothesizes that Giovio revised Day Two and contem- plated publishing the dialogue in response to his time at the Congress of Bologna.

    See pp. Potest enim is pudore incolumi peramoenos locos a politioribus philosophis mutuari, poetarum consectari lumina sales argutias et totius denique Latinae linguae conspicuos flores ludenti et vaga manu impune decerpere. As shall be seen again in the debate on women, mosaic as a metaphor carries a negative valence for Giovio since what seems beautiful from afar is revealed to be haphazard and crevice-ridden when examined more closely.

    For only out of the most brazen impertinence would anyone writing in the same language pilfer with licentious folly the words, ideas, and even entire lines from the best authors, or dare to think that by putting differently their ideas and inspired thoughts he is going to express them better and more felicitously.

    Fieri enim nequit nisi impudentissime vel ineptissime ut quis in eadem lingua optimorum auctorum verba, sententias ac integros etiam versus stulta libertate suffuretur, aut illorum sensus et divinas cogitationes, elocutione commutata, se melius atque felicius expressurum esse confidant. Rather, he has co-opted motifs from debates on literary imitation. JoAnn DellaNeva, trans. Betty Knott.